By Joanna Bugajska, Luke McMullan, Quyncie Grenis, Robert VanCleave for Fall 2015 Team First.
Read the Report
Thick, undiluted poster paint was dropped into water which was covered with fine grain sand, floating on the surface in a thin opaque film layer, filmed in slow motion.
Thick, undiluted poster paint was dropped into water which was covered with fine grain sand, floating on the surface in a thin opaque film layer, filmed in slow motion.
Previous Post
A ball bearing impacts the sand and ejects the sand in a crown-like shape, a “Granular Eruption” filmed in slow motion.
Next Post
When a ball bearing impacts a shallow sand basin, a crown splash and crater results rather than a Worthington jet, filmed in slow motion at 960 frames per second.
Categories
Search for content or authors
Flow Vis Guidebook
- Introduction to the Guidebook
- Overview 1: Phenomena. Why Does It Look Like That?
- Overview 2: Visualization Techniques
- Overview 3: Lighting
- Overview 4 - Photography A: Composition and Studio Workflow
- Overview 4 - Photography B: Cameras
- Overview 4 - Photography C: Lenses - Focal Length
- Overview 4 - Photography C: Lenses - Aperture and DOF
- Overview 4: Photography D: Exposure
- Overview 4 - Photography E - Resolution
- Overview 5 - Post-Processing
- Clouds 1: Names
- Clouds 2: Why Are There Clouds? Lift Mechanism 1: Instability
- Clouds 3: Skew - T and Instability
- Clouds 4: Clouds in Unstable Atmosphere
- Clouds 5: Lift Mechanism 2 - Orographics
- Clouds 6: Lift Mechanism 3 - Weather Systems
- Boundary Techniques - Introduction
- Dye Techniques 1 - Do Not Disturb
- Dye Techniques 2 - High Visibility
- Dye Techniques 3 - Light Emitting Fluids
- Refractive Index Techniques 1: Liquid Surfaces
- Refractive Index Techniques 2: Shadowgraphy and Schlieren
- Particle Physics: Flow and Light
- Particles 2: Aerosols
- Art and Science
- TOC and Zotpress test
- Photons, Wavelength and Color